flow SD uses here is a current bête noire of mine, but this beat is simultaneously beautiful and grotesque: Here Comes The Bride wedding day piano juxtaposed with the type of bass that makes a house haunted, the type of bass that bloggers get lost in, the type of bass you fear when you're dead in a coffin.
(From Truly Blessed album; 2014)
Does SD scrutinize the many possible ripples of a concept like Circles with the precision of those iconic opening credits of a certain 1980's Richard Briers sitcom? He has a pretty good go at it, yes. Official Martorialist rating: 4 dreadlocked Lupe Fiasco's out of 5.