(From Frequencies album; 1991)
You can stick your Kid Cudi Clockers remixes, Groovy Distortion was the REAL fidget-House. If this track ever got play at early 1990s raves its jittery bleeps & bloops musta turned dancefloors into Madness videos. Best song from Frequencies which was never a single, and the song which best defines 1991 because it could potentially soundtrack a Leeds warehouse rave and an episode of Round The Twist at the SAME DAMN TIME.
It's a pity Pete Waterman and Michaela Strachan didn't take The Hitman and Her to a Leeds rave in 1990/1991 for a cross-Pennines counterpart to the 1989 episode where they visited Manchester's Hacienda innit? One of LFO's singles from Frequencies deserved to be captured on film in its natural habitat like A Guy Called Gerald's Voodoo Ray was on the Hacienda episode. It's the Wide Awake Club, Michaela, but not as you know it:
Pete Waterman said that the idea for The Hitman and Her came to him when he turned on the TV late one night and the only TV station still on-air featured Elvis Costello talking about Irish politics.
EL-OH-EL!
3 comments:
The danving Guy in the white tee thinks he's on Mars.
Kermit from Ruthless Rap Assassins/Black Grape dancing on the stage to the right.
He's now married to a lass who went my high school but had to leave because all the other girls bullied her because she was so pretty.
LFO > Aphex Twin
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