Showing posts with label Hallelujah holla back. Show all posts
Showing posts with label Hallelujah holla back. Show all posts

Tuesday, 25 October 2022

Crosstown Traffic

Max B - Why You Do That (instrumental)
(From Why You Do That single; 2007)



Via this video, sum shit I read: the production duo Arkatech Beatz made the Why You Do That beat for Jim Jones and arranged a meeting with him at ByrdGang's studio, but then got caught up in heavy traffic and by the time they arrived Jones had left. Max B was still in the studio writing and recording and told the Arkatech lads he'd pass their beat CD on to Jones, so they left it with him. Max listened to the CD, heard the Why You Do That beat, loved it, decided to keep it for himself, and the rest is history innit. Now, I'm a big fan of O.G ByrdGang era Jim Jones, but praise the Lord for New York's heavy traffic that fateful day. A stroke of serendipity which was both fortunate and glorious.

Max B - Why You Do That
(From Why You Do That single; 2007)



A quick browse through the Arkatech Beatz production discography reveals that Why You Do That is easily the best beat in their entire catalogue. That said, they were also behind the title track of Big Pun's first album so fair play to the lads.

Friday, 28 January 2022

Late pass: He's The DJ, I'm The Vicar

DJ Jazzy Jeff & The Fresh Prince - The Reverend
(From And In This Corner... album; 1989)



This song could be a TEMPUR mattress the way I've slept on it. As far as late 80s jams built around vocal samples go, The Reverend belongs in the top 3 alongside LL Cool J's The Doo Wop and Nice & Smooth's Dope On A Rope. Plus, with that Mary Mary drum break it had the potential to be a Running Man classic. So why isn't this shit heralded as one of the best Jeff & Will album cuts? It's a mystery, Father Brown.

Random-Rap spods tend to be terrible cheerleaders for the Golden-Era because they'll turn their noses up at a killer Jazzy Jeff & Fresh Prince album track but spunk themselves silly over some mediocre obscure 12" by a 5th rate MC Shan clone. That's why 95% of vinyl purist blokes make useless music guides, and if you disagree then you can see deez.

PS: MC EZ & Troup's Get Retarded is disqualified from the late 80s jams built around vocal samples canon because it's Craig Mack doing the Zoom, Zoom, Zooming himself.